Synopses & Reviews
If there remains any doubt Kubrick is one of the giants of the cinema of the 20th century cinema, The Stanley Kubrick Archives should dispel it, both through the revelations contained in the director’s own words and in the observations offered by his collaborators and critics.
For fans this book will be the ultimate. For those less acquainted with the master filmmaker's work, or those who are not film buffs, this book will provide an unsurpassable introduction to the work of a visionary genius.
This is the first book to explore Stanley Kubrick’s archives and the most comprehensive study of the filmmaker to date. In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: "It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience…. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content." The philosophy behind Part 1 of The Stanley Kubrick Archives borrows from this line of thinking: from the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, Kubrick’s complete films are presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience.
The second part of the book brings to life the creative process of Kubrick’s filmmaking by presenting a remarkable collection of mostly unseen material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.
Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick’s best interviews.
Synopsis
The Kubrick files
From the archives of cinematic genius
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: It s not a message I ever intended to convey in words. 2001 is a nonverbal experience... I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content.
Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director s philosophy. From the opening sequence of Killer s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick s complete films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.
Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick s best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th century cinema and the meticulous mind of the director behind them.
About the series:
Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price
Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm s delight never bore, always excite "
Synopsis
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: "It's not a message I ever intended to convey in words. 2001 is a nonverbal experience... I tried to create a visual experience, one that directly penetrates the subconscious with an emotional and philosophic content."
Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director's philosophy. From the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick's films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick's creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.
Accompanying the visual and archival material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick's best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th-century cinema and the meticulous mind of the director behind them.
About the series
Bibliotheca Universalis--Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price
Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight--never bore, always excite
Synopsis
Ultimate Kubrick: The unsurpassed study of a cinematic genius In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience… I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content.”
Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director’s philosophy. From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick’s complete films to impress through dazzling stills. In a separate section, Kubrick’s creative process is brought to life through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.
Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick,and a selection of Kubrick’s best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th century cinema and the meticulous mind of the director behind them.
About the Author
Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). She is the editor of titles on photography, film, and design, including Some Like it Hot, The Stanley Kubrick Archives, Linda McCartney: Life in Photographs, and Marc Newson: Works.